Tambekar Wada

Nestled in the Raopura area of Baroda, Tambekar Wada is a captivating tribute to Maratha architecture. Built in the mid to late 19th century, this three-storeyed mansion showcases the delicate woodwork characteristic of typical Marathi Wadas. However, its true allure lies within, where every surface is adorned with exquisite paintings.

The Building

Originally the residence of Bhau Tambekar, the Diwan of Baroda State, Tambekar Wada later served as a school. Over time, the building fell into disrepair after the school relocated to a new facility.

Designed around a central courtyard featuring a tall tree, the Wada is divided into two main sections. The front third, adorned with stunning paintings, likely served as the entertaining space, complete with a triple-storeyed structure and a pavilion atop. The remaining two-thirds housed the Diwan’s family and is a more modest, double-storeyed area.

The front wing features a guardhouse connected to the residence via the courtyard, with upper floors accessible from the outside by an external staircase. One of the upper halls, decorated with paintings, is divided by wooden screens, suggesting a private area for the women of the household adhering to the “purdah” system.

The rear wing, with broad verandas and rooms surrounding the courtyard, once thrived with life. It provided a lively setting for children and their mothers, who would gather on the verandas, managing daily chores while watching over the little ones. The upper level boasts narrow balconies that overlook the courtyard.

The Paintings

The Wada’s paintings are a treasure trove of artistic styles and themes, created on panels formed by the building’s wooden structure. Painted in tempera on dry lime plaster, the artworks showcase various schools, including the “Company style” and “Rajasthani Qalam.” The upper walls narrate stories, while the middle sections feature individual figures. Ornate floral patterns and whimsical fairies adorn the door frames, echoing the textiles of the period.

In addition to Indian epics, some paintings are believed to be copies of European works, revealing a rich blend of influences.

A Call for Conservation

Despite its historical and artistic significance, Tambekar Wada faces a bleak future. The front wing is under the care of the Archaeological Survey of India (ASI), while the rear section is managed by the Vadodara Municipal Corporation (VMC). Unfortunately, the two agencies have been embroiled in a conservation feud, delaying essential restoration work. The rear wing has succumbed to neglect, becoming a dilapidated space overrun by bats.

If action isn’t taken soon, even the seemingly healthy front portion may deteriorate alongside its neglected counterpart. It’s crucial for both organizations to collaborate and preserve this architectural gem for future generations to appreciate.